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Big Appetites | Christopher Boffoli
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Big Appetites | Christopher Boffoli

Christopher Boffoli does what every child likes to do; playing with food! His miniature men explore eatables out of a new, unknown perspective. Thus an applecake becomes a building site, noodles become a viewing platform and a cornet is reconstructed to a tent.

The images have a strength and a personality of their own. But they are most often exhibited with captions that lend an extra bit of energy to the concept, and of course, often reinforce the laug


Caption by Artist: Once again, owning an exotic pet was proving to be nothing but trouble.


Caption by Artist: Though they’d be reticent to admit that they were cliquish, Harvey was obviously at the top of the pecking order.


Caption by Artist: If they’d only realized that the killer was right there in the crowd.


Caption by Artist: 422 days without an accident at the chocolate quarry.


Caption by Artist: They would always work together to open the foil, but then fight over who got to sink the knife into the pristine peanut butter.


Caption by Artist: It was the first cookie climb without supplemental oxygen.

About Big Appetites Christopher says:
The genesis of my Big Appetites series of fine art photographs was in a lot of the media I was exposed to as a child. There were so many films and television shows that exploited both the dramatic and comedy potential of a juxtaposition of different scales: tiny people in a normal-sized world. It is a surprisingly common cultural theme going back all the way to Jonathan Swift’s Gulliver’s Travels in the 18th century and perhaps earlier.

I think it is especially resonant with children because as a child you live in an adult world that is out of scale with your body and proportions. And you constantly exercise your imagination around a world of toys that are further out of scale. As a child I was an avid collector of Matchbox cars, a model railroader and a builder of models (cars, ships and airplanes). I was fascinated, as many children and adults are, with tiny, meticulously detailed things.

When I began shooting some of the very earliest images in this series, around 2003, food was a conscious choice as one of the components as it can be very beautiful – in terms of texture and color – especially when shot with available light and macro lenses. Combining what is essentially food and toys makes the work instantly accessible to virtually everyone. Regardless of language, culture and social status, almost everyone can identify with toys from their childhood. And whether you eat with a fork, chopsticks or your hands, everyone understands food. Sitting down to a meal makes us feel most human.

The sensual experience of eating accesses primal instincts that stretch back to the earliest days of our evolution. Whether we are reflecting on the comfort food of childhood, celebrating food’s tremendous diversity, or obsessing over calories and nutrition, cuisine is one of those rare topics that most people can speak about with authority and yet largely without controversy. So the choice of food as a backdrop of the environments of the Big Appetites series is certainly calculated.

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