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Sasha Bikoff merges Rococo mood with Memphis style
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Sasha Bikoff merges Rococo mood with Memphis style

Sasha Bikoff  merges Rococo mood with Memphis style creating new intersections between the 18th century french rococo and 1980s Italian Memphis Milano. This year marks Sasha’s first participation in the annual “kips bay show house” of exceptional interior design. Since 1973 interior designers have been annually invited to transform a Manhattan home into an exhibition of design, art, and technology.

While the kips bay decorator show house project was initially launched to raise funds for enrichment programs for New York City children, it had grown over four decades into a trend-setting event. This was attended by thousands of designers and enthusiasts. This year the work of New York-based interior designer had been presented with the opportunity to redesign the stairway of the famed showhouse.

The staircase of the Kips Bay Decorator Show House itself presented designer Sasha Bikoff with a challenge due to its complex winding organization and narrow landings on each floor. In designing the space, Bikoff intended to create a spectacular moment which is meaningful to both the show house guests as well as to the children of the Kips Bay Boys & Girls Club — the young group of people for whom the project is founded. The Sasha Bikoff group elaborates. “Before she even started making fabric selections and pulling paint swatches, she knew she wanted her space to speak to the kids. It shows them that their creativity should always be ignited”.

Sasha Bikoff holds that design should be as fun as it is both worldly and intellectual. Colors and patterns of the 1980s design movement juxtapose the old world European traditional architecture of the show house. The motifs of the Memphis movement — zig-zags, polka dots, squiggles, pyramidal triangles — along with the original Milano designers Ettore Sottsass and Alessandro Mendini served as Bikoff’s influences. While the dynamism, or sense of movement, evoked by these shapes plays into the circulatory nature of the staircase.

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